[This story contains major spoilers for the second season of Netflix’s Bridgerton.]
Dearest light readers, season two of Bridgerton is lastly on Netflix and its love story is one for the ages: an enemies-to-lovers story that follows Viscount Anthony Bridgerton’s (Jonathan Bailey) quest for a Viscountess.
At the start of season two, the eldest Bridgerton is in search of an agreeable girl who can be a good mom and watch after the home, like he believes a spouse ought to. What he’s not in search of is a real love match.
But, by the season finale, that’s precisely what he finds.
The second season of the hit Netflix collection kicks off with the arrival of the Sharma sisters, Kate (Simone Ashley) and Edwina (Charithra Chandran), coming to Mayfair in quest of a husband for the latter. When Edwina is asserted “the diamond” of the season, like Daphne (Phoebe Dynevor) was in season one, Anthony is aware of who he needs to marry — if solely her sister authorised of their union.
Kate is aware of Anthony isn’t in search of love, and she or he needs higher for the youthful sister she’s sorted all of her life. So, she spends a lot of the season combating Anthony off and pushing Edwina towards different suitors who will give her the love Kate feels she deserves. Over the course of the eight episodes, Kate and Anthony are at one another’s throats — bickering, bantering and but, drawn towards one another regardless of their seeming disdain.
Their courtship, which relies on the second ebook in Julia Quinn’s bestselling collection, delivers a markedly completely different will they-won’t they love story in comparison with the fiery romance between Daphne and the departed Regé-Jean Page‘s Duke Simon Basset that launched the collection into bingeworthy breakout standing over Christmas in 2020. (When Daphne returns to the household dwelling, she explains that she left her husband and new child behind to assist sister Eloise along with her social debut.)
“This season, one of the big tropes that we’re following is enemies to lovers, and that’s one of my favorite tropes of this genre,” showrunner Chris Van Dusen tells The Hollywood Reporter of his strategy to the follow-up run. “I think that’s because there’s just so much conflict to mine between Anthony and Kate, and they have this banter that is just so much fun to watch, and Jonathan and Simone are so good at it.”
Van Dusen sees Kate and Anthony as magnets — polar opposites, who’re drawn to one another in a manner that’s out of their management.
“You watch them go toe-to-toe throughout the season,” he says. “The frustration you feel between the two of them, it builds from episode to episode, scene to scene, really, and it’s palpable.”
Contrary to season one the place Daphne and Simon cave to their want for one another comparatively early on, it isn’t till the ultimate moments of episode six of the eight-episode second season — mere minutes after Edwina calls off her and Anthony’s wedding ceremony — that Kate and the viscount lastly give in to their eager for each other. Leading as much as that second, there have been a number of scenes the place the 2 had been inside seconds of kissing, every time getting interrupted by somebody or one thing.
“The chemistry that you see and feel between Jonathan and Simone as Anthony and Kate is just out of this world,” Van Dusen says. “So, it was incredibly dynamic and exciting, having those steamy scenes and all that angst and all that yearning and watching their chemistry build and build really makes the payoff worth it when we get there.”
The slow-burn strategy additionally meant season two wouldn’t have a intercourse marathon scored to Taylor Swift’s “Wildest Dreams,” Kate and Anthony burned for one another in their very own manner, nevertheless, and bucked societal norms of the time by being intimate earlier than they had been married.
Intimacy coordinator Lizzy Talbot, coming back from season one, labored with the solid and crew to make sure everybody felt snug and protected of their intercourse scenes.
“We couldn’t have done it without her,” Ashley tells THR. “She made sure we were safe. She made sure we were comfortable and confident, that we felt heard, that there was an easy window of communication.”
Before they filmed any of their intimate scenes, Ashley says she and Bailey Zoomed with episode director Cheryl Dunye, Van Dusen and Talbot to interrupt it down shot by shot, so everybody knew precisely what was going to occur once they had been filming.
“There were zero surprises, and then we could just focus on bringing the love story to life,” Ashley says. “I felt very, very comfortable.”
Van Dusen says the intercourse scenes had been closely choreographed and rehearsed like a stunt properly prematurely. He would additionally sit down with Talbot and the director to determine what they wished to get from the scene and the way it contributed to the larger story.
“We never do a sex scene for the sake of doing the sex scene, and we never will,” he says. “All the intimate scenes, they have a larger purpose. They’re all telling a story and they’re all pushing the story forward.”
When Bridgerton first hit Netflix, it shattered the thought many individuals had of Regency interval items, the place white folks have usually been entrance and heart and a individual of colour may very well be seen often, usually within the background. In a earlier visitor column for THR, Van Dusen shared that, from the get-go, he wished to create a collection that was deliberately inclusive, turning the interval style on its head and reimagining it.
“I don’t consider Bridgerton a color-blind show,” he says. “It’s not a color-blind world. Race and color are very much a part of the world and a part of the show’s conversation, just like things like status and class and gender and sexuality are, and I think that’s part of what makes Bridgerton, Bridgerton.”
Season two continues Van Dusen’s plan to make Regency London as various because the world is at this time by centering two dark-skinned Indian girls as lead characters in a manner that has hardly ever been seen in American tv.
“I hope that this normalizes that kind of casting moreso,” Ashley says. “I think everyone’s going to love that side of it. I’m excited to show the story of a dark-skinned woman falling in love with all the scandal and drama and, you know, the hotness in themes, for a better word. I think it’s time.”
Chandran, who stars reverse Ashley as youthful sister Edwina, discovered it “unbelievably exciting” that she and Ashley, who’re from the identical a part of India, are actually the romantic leads.
“You seldom see dark-skinned Indian women as the romantic interest and the lead that Simone plays or the diamond that I play,” Chandran tells THR. “I hope that it makes girls who look like us feel more comfortable in their skin — feel like they belong.”
The second season of Bridgerton is now streaming on Netflix.
Sydney Odman contributed to this story.