The Fascinating Difference In The Songwriting Styles Of BTS’s RM And Suga


BTS‘s RM and Suga are both widely acknowledged for their lyric-writing skills. But their perspectives are so different from each other while talking about the same subject that it is almost bewildering.

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The two have lived and worked together in close proximity for over a decade. Yet somehow, they have developed very distinct approaches to songwriting that each stands out on its own merit.

The two songs “Seesaw” and “Strange” can be taken as examples here.

“Seesaw” is a solo song by Suga from Love Yourself: Answer. The song’s lyrics discuss a tumultuous relationship the place each the events are sick of the fixed ups and downs, however each lack the braveness to stroll away from it first. Suga makes use of the visible impact of an precise seesaw going up and down to determine a way of movement illness and confusion within the track.

While discussing the songs on this album, RM talked about how he was amazed by Suga’s songwriting. He stated that with none troublesome phrases or ideas, he created a phenomenal track like this. But based on him, if he have been to strategy the track with the identical title, his strategy would have been extensively completely different.

Next comes the track “Strange.” It was part of Suga’s second mixtape D-2 and RM had a characteristic on this track. The theme of the lyrics was a heavy one- discussing the perils of this capitalistic world.

Fans have been blown away by the lyricism of the track and the way in a different way the 2 rappers delivered their messages on the identical matter.

The consensus, on this case, appears to be that whereas Suga writes both from a third-person perspective or a really private standpoint, RM consists of the listeners into the track from the get-go.

An analogous occasion can be the track “Paradise.” While RM instantly addresses the listeners continually — “Dream doesn’t need to be anything grand/ You can just become anyone.”  On the opposite hand, Suga makes use of his private viewpoint to say, “The world has no right to curse at me / It never has even taught me how to dream.” 

Even although each of them are speaking about the identical factor, that these with out a dream additionally should reside a full, passable life, the distinction of their storytelling could be very vivid.

While there are undoubtedly extra examples that showcase the baseline of distinction between the songwriting strategy of those two, in the long run, they arrive collectively to create an entire narrative that connects with the listeners from each angle.





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